PROJECT

Scorpion
Music Group
Visual Identity

UK/Africa

Some sounds arrive before the world is ready for them. Amapiano took root in South African townships before filling festival stages across three continents. R&B and reggae crossed borders, absorbed new rhythms, and kept moving. Scorpion Music Group grew inside that movement, a boutique independent label rooted between the UK and Africa, finding raw talent, developing it, and bringing it to the world stage.

SMG holds an active role in producing Kaya Fest, one of the world's leading reggae and culture celebrations. The label needed an identity with the same reach as the sound, rooted in African spirit.

PHILOSOPHY

Music unites. Love transcends. Peace builds brotherhood. SMG shapes and supports artists who carry the spark to move people. The work happens away from the spotlight, built on dedication, discipline, and the tireless hours behind every release.

Music is a peaceful spiritual revolution, a force that connects across borders and lifts culture higher.

This belief became the design brief. The identity had to carry the feeling of sound itself, the way a frequency moves through a room and touches everyone in it at once.

Scorpion Music Group logo construction showing a vinyl record turning into the S symbol on a blue background

The Mark

The first instinct pointed to the obvious: the scorpion. We moved past it. A literal animal pointed away from music, recording, and the act of pressing sound into something people can hold. The mark needed to come from the medium itself.

It came from the vinyl record. Dividing the record into four revealed curved segments that read as echo, repetition, and sound frequency. Rearranging two of those arcs formed an “S,” the Scorpion monogram. Inside the mark, three grooves run through each curve, carrying the three pillars of the label: artist development, music production, music festivals. Three also holds the weight of the trinity and the number that runs through Scorpion itself. Four built the form. Three carries the meaning.

Scorpion Music Group logo in white on a dark background
Scorpion Music Group horizontal logo in white on a blue background
Scorpion Music Group logo in black and in blue on a light gray background
Scorpion Music Group logo sign on a dark office wall
Scorpion Music Group brand color palette with blue, black, gray and white shown as circles, squares and hexagons
Scorpion Music Group typography specimen with large Aa Bb letters in white on a blue background
Scorpion Music Group pin buttons in blue, black and white on a black denim jacket
Scorpion Music Group stationery with business cards, letterhead and a blue folder on a dark background
Three Scorpion Music Group flags in blue, black and cream against a blue sky
Scorpion Music Group pattern of repeated S symbols in white on a blue background
Scorpion Music Group concert stage with large blue screens and a crowd

Visual Identity

Sound Made Visible

The visual language came from cymatics, the science of frequency becoming visible form. Sacred spaces have carried these geometries for centuries: the rose windows of Gothic cathedrals radiate the same patterns, and ancient temples across India hold them in their ceilings and walls. Artists vibrate sand across metal plates and watch the same geometry appear from sound alone.

The system started with a grid, a structure for mapping frequency and hertz into visual rhythm. Bold lines and geometric figures echo African textile, tying the language back to the label’s roots in African spirit and soul. Structure enough to scale, rhythm enough to feel alive.

Six cymatics sound patterns in white on black, visual references for the Scorpion Music Group brand
Six black and white geometric pattern tiles from the Scorpion Music Group brand system
Three black and white geometric pattern tiles from the Scorpion Music Group brand system

Artist Portraits

Each artist brought their own photograph. A custom cymatic treatment, built in Photoshop and brought to motion through Nuke X and After Effects, ripples every portrait with the same frequency. Each face stays its own and joins one visual language.

Collage of Scorpion Music Group artist portraits

Brand Colors

Each color was chosen with intention, a hue tied to a feeling, a feeling tied to an artist. The palette gives every release its own emotional register and carries it across social, print, digital, and merchandise. One system, a different voice for everyone inside it.

Scorpion Music Group extended color palettes with neutral, blue and multicolor swatches

Modular Design System

 

A modular system, engineered for change. Pattern, type, mark, and color recombine as the message demands: artwork leads a release, the portrait leads a spotlight, the date leads a show. Hierarchy moves. Identity holds.

Scorpion Music Group square post for the KC-Clarke release Spaceships with the cover art on a pink and black pattern
Scorpion Music Group square post for KC-Clarke Spaceships, out now, with the cover art framed by a pink pattern
Scorpion Music Group square post for KC-Clarke Spaceships with the cover art and a pink pattern at the corner
Scorpion Music Group square post for KC-Clarke Spaceships with the cover art and a pink pattern band at the right
Scorpion Music Group square post for KC-Clarke with his photo on a pink and black geometric pattern
Scorpion Music Group square post for KC-Clarke with a large pink and black geometric pattern and event date

Billboards

Scorpion Music Group web banner for KC-Clarke Spaceships, out now, with the cover art and streaming logos
Scorpion Music Group banner for Veronika Bozeman in red and black with her photo and event time
Scorpion Music Group banner for Tony Ruption in blue and black with his photo and event time
Scorpion Music Group web banner for KC-Clarke Spaceships with his photo and a black and white pattern
Scorpion Music Group billboard for Tony Ruption in blue against a cloudy sky

Posters

Scorpion Music Group black and white pattern billboard on a city street with people walking by
Scorpion Music Group poster for Ky-Mani Marley with his photo framed by a green and black geometric pattern
Scorpion Music Group poster for KC-Clarke with his photo framed by a pink and black geometric pattern
Scorpion Music Group poster for Tony Ruption with his photo framed by a red and black geometric pattern
Scorpion Music Group poster for James Brown II with his photo framed by a lilac and black geometric pattern
Scorpion Music Group poster for Veronika Bozeman with her photo framed by a blue and black geometric pattern
Scorpion Music Group poster for KC-Clarke with his photo framed by a black and white geometric pattern
Scorpion Music Group poster for KC-Clarke with a large orange and black geometric pattern
Scorpion Music Group poster for James Mc-Vey with his photo framed by a beige and black geometric pattern
Scorpion Music Group poster for James Mc-Vey with a large yellow and black geometric pattern
Scorpion Music Group artist posters shown on city street displays
Scorpion Music Group posters shown on bus shelter and street advertising displays

Social Media

Scorpion Music Group social media posts and artist posters shown as a grid

Merchandise

Scorpion Music Group tote bags with the geometric pattern in black, white and blue
White and black Scorpion Music Group T-shirts on hangers with the logo and a gold geometric pattern
Two Scorpion Music Group mugs with the logo and the black and white geometric pattern on a teal background
Scorpion Music Group backstage pass lanyards in blue and white with the geometric pattern

Reflection

 

The strongest identities carry a single idea all the way through. For SMG, that idea was sound made visible. From the grooves inside the logo to the ripple across each portrait, every element traces back to one source: frequency taking form.

The name holds two truths. Resonate is the physics, sound becoming visible form. Higher is the state the music brings, the moment a festival crowd rises together and the night lifts. The identity was built to carry both.

Scorpion Music Group
Resonate Higher.

Scorpion Music Group vinyl record with a black and white geometric pattern sleeve on a lilac background
 
 
 
 
Creative Director & Lead Designer: Piero Salardi
Designer: Renzo Zamora
Motion Graphics: Rodrigo Franklin (Funkito)

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